朱小琳，博士，教授，我国莎士比亚喜剧翻译家朱生豪先生之侄孙女，现任中央民族大学外国语学院副院长。目前兼任全国英国文学学会常务理事，全国美国文学学会理事，国家社科基金通讯评审专家、中华学术外译通讯评审专家等社会工作。主要研究领域为美国女性文学与少数族裔文学及文学理论，莎士比亚戏剧汉译研究；多次前往英美访学，并应邀在国内高校开设讲座。主持并完成国家社科基金项目、北京市优秀人才培养项目等平台项目，参与国家社科基金重大项目研究，在《外国文学评论》《外国文学研究》《国外文学》等国内核心期刊以及俄罗斯资深文学期刊《文学问题》等发表多篇学术论文，代表性专著为中国社会科学出版社出版的《回归与超越：托妮·莫里森小说的喻指性研究》。

臧棣， 诗人，现任教于北京大学中文系，北京大学中国诗歌研究院研究员。代表性诗集有《燕园纪事》《宇宙是扁的》《慧根丛书》《骑手和豆浆》《最简单的人类动作入门》《情感教育入门》《沸腾协会》《尖锐的信任丛书》《诗歌植物学》《非常动物》《世界太古老 眼泪太年轻》《精灵学简史》等。曾获《南方文坛》杂志“2005年度批评家奖”“中国当代十大杰出青年诗人”“1979-2005中国十大先锋诗人”“中国十大新锐诗歌批评家”，《星星》2015年度诗歌奖、扬子江诗学奖、人民文学诗歌奖、第四届《钟山》文学奖、昌耀诗歌奖、屈原诗歌奖、鲁迅文学奖诗歌奖。

赵阳，博士，讲师，上海外国语大学英语学院教工第三党支部书记，一年级写作教研组组长。主要研究方向为应用语言学。主要教授《英语叙事文写作》、《基础英语写作》、《基础英语II》等课程。

Tanya Pollard is Professor of English and Global Early Modern Studies at Graduate Center, The City University of New York. Her books include
Greek Tragic Women on Shakespearean Stages (2017), Drugs and Theater in Early Modern England (2005), two edited anthologies of primary texts,
and three co-edited collections of essays. She is Chair of the Council of Scholars at Theater for a New Audience, and works with other New York
theater companies, including the Red Bull Theater and the Public Theater. She was just awarded a Guggenheim Fellowship for her current book
project, on Shakespeare’s relationship with his leading actor, Richard Burbage. Her edition of Ben Jonson’s play The Alchemist is forthcoming
with Arden Early Modern Drama in September 2023.

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三大政策性银行之一

康奈尔大学全球发展学院教授

Michael Steppat is Professor of Literature in English at the University of Bayreuth (Germany), emeritus, and an international faculty member at SISU. After gaining his Ph.D. and his “Habilitation” he became a Fulbright professor at the University of Texas, then research professor at Arizona State University. As academic Dean of his Faculty for 12 years, Steppat devised an M.A. program in Intercultural Anglophone Studies. He is an elected project director in the national Excellence Strategy. His published books include Honor Face and Violence: Cross-Cultural Representations of Honor Cultures and Face Cultures; Literature and Interculturality (3 volumes); Historical Intersections of Intercultural Studies (2 volumes); Discourses of Exception, Exclusion, Exchange (in American studies).