主持人：李涵玥，研究生会学术部，上海外国语大学英语语言文学专业2016级硕士生
日语格助词在“名词+格助词+谓词”的结构中表示名词与谓词之间的语法关系，与生俱来地具有不依赖句法语境的抽象的本质义，在名词与谓词的语义特征及相互作用下会产生下位多义，而这些多义之间既非孤立，也并非是源于原型义的派生，而是本质义在不同句法语境中的化身。本文假设格助词カラ的本质义为“移动的起点+移动继续（移动主体或客体离开移动起点后直至谓词语义射程终结为止继续移动（发展或变化））”，并在此基础上考察验证カラ格在句法语境中的语义功能变化。
上海外国语大学“爱未来”研究生学术文化节一直以“全面提升研究生综合素质”为宗旨，高度重视研究生科学研究水平的提升和学术创新能力的培养。自2016年下半年起，学校为切实加强导师对研究生的学术指导，加大拔尖人才培养力度，设立了“导师学术引领计划”，鼓励研究生导师加强对研究生进行系统科研训练，培养他们的问题意识和学术研究素养。在本届研究生学术文化节期间，学校将陆续举办“导师学术引领计划系列主题讲座”，通过邀请已获得“导师学术引领计划”立项的导师们和研究生们同台开展主题讲座，围绕项目主题，分享研究成果，交流治学心得。
欢迎所有研究生积极参与！凡获得“导师学术引领计划”立项资助的项目成员研究生，需得参加系列讲座中的至少5讲。

本期静湖读书会带你了解从历史维度研究日本政治。《一元与二元的历史变奏:对日本国家主义的再认识》作者从一元与二元的历史变奏中，对日本的“国家主义”进行了历史与现实的考察和分析，发现了导致这一政治进程在岛国日本形成、发展的独特的内在机制与活动规律，清晰而完整地描述出21世纪日本“新国家主义”的“临床表现”与未来走向，并对制约这一走向的诸多因素进行了前瞻陛的分析和论述。这些具有原创意义的独到见解，不仅具有很高的学术价值，而且还能引领人们对日本问题的本质理解和认识，具有重要的启示作用和现实意义。本期嘉宾将借助此本与大家分享学习国际关系与日本研究的心得体会。
读书会茶歇提供茶点供读书会的小伙伴享用。欢迎广大同学参与交流、学习！
分享书目：《“一元”与“二元”的历史变奏——对日本“国家主义”的再认识》，武心波著，上海三联书店，2008年11月。

新时代下，出于国家“走出去”战略、对外传播和对外宣传的需要，我国汉译外工作的重要性被提升到了一个新的高度。然而，汉译外工作现状如何呢？翻译工作是如何组织实施开展的？翻译质量如何呢？译文读者接受度到底如何呢？带着这些疑惑和思考，结合2016年G20峰会的一些翻译体验，主讲人通过对其中一部外宣材料的汉译英作品进行了译本分析，根据两位英语博士（其中一位母语是英语，另外一位英语能力为near native）对译文文本的详细解读和点评，结合实例和数据，对译文中存在的习惯问题、信息问题、理解问题等作了分析，以期对今后的汉译外工作有所启发和帮助。

When starting and running a social venture, social entrepreneurs simultaneously pursue the creation of social and economic value. In this study, we introduce the notion of “the social entrepreneur’s dilemma,” that is, social entrepreneurs’ strategic choices that lead to more economic value appropriation tend to negatively affect social value creation, and vice versa. We focus on two choices related to the fundamentals of business strategy: competitive scope of activities and source of competitive advantage. Using a unique panel data of charter schools in Texas (1997-2007), we find evidence that both a broader scope and a differentiation strategy improve a school’s social value creation (academic performance), but reduce its economic value appropriation (economic performance). The trade-offs from the opposing effects become even more pronounced in a more turbulent environment: the positive impact of differentiation on social value creation would vanish, whereas the negative impact of scope expansion and differentiation on economic value appropriation would increase even further. Our findings provide insights on how theories of strategic management and the public and nonprofit literature can illuminate the challenges of value creation and appropriation in social entrepreneurship.

阿拉伯史学抑或伊斯兰史学在国内的研究多借助于阿拉伯语或英语的二手资料，直接从一手文献入手的历史学者十分鲜见。郭黎老师将系统梳理公元8世纪到16世纪阿拉伯语历史文献的发展历程，历史分期，文体风格，以及每一阶段的代表作家和时代特征。报告还会兼及阿拉伯语史学著作和理论对波斯史学、莫卧儿史学的影响。

In this talk, I would teach some of the key poems dealt with in my essay, “Gender Poetics in Jewish American Poetry,” which was published in the Cambridge History of Jewish American Literature, ed. Hana Wirth-Nesher (Cambridge UP, 2016). The poems would include works by Penina Moise, Emma Lazarus, Celia Dropkin, Anna Margolin, Malka Heifetz Tussman, Adrienne Rich, and Marge Piercy.

Whether today’s modern societies are capitalist, socialism (or capitalism) with Chinese characteristics, non-human animals in these societies are victims of the current unbridled process of the global market economy. Animals become caught up in the eternal loop of production, consumption, and post-consumption - a journey as capital, garbage, or anything else except as sentient beings with affective capacities. One way to look at the emerging field of animal humanities is not only as a discursive engagement to reassess the human-animal divide, but more proactively, as most cultural criticism does, as a way to also generate political or social change.
This article sets out to render a more positive tone by asserting that, in dealing with contemporary systematic creation of animal capital and wasted animal, the film medium is more effective when perceived as an agent of redemption. The documentary genre in particular is capable of helping non-human animals break away from the viscous loop of the capitalist production chain through its visual, investigative, and other cinematic apparatus. In developing the idea of documentary redemption and hope, I first trace, by way of Nicole Shukin’s work, the entanglements of animals in the early film industry where animals are exploited materially by this industry and conceptually exploited for the advancement of a capitalist manufacturing process. Here, I see filmic redemption, at a rudimentary level, as a self-redemptive one: to redress/make amends for the material practice of the traditional film practice through the shift to digital film. The second idea of animal redemption is examined in light of animal documentary activism. What narrative and aesthetic strategies do filmmakers use to prompt post-cinematic change or action? What affects are appropriate for an animal advocacy film? In recognizing the potential negatives of documentaries to traumatize, terrorize, and numb the audience by cataloging the cruel reality of animal violence and suffering, I contend that the documentary genre actualizes its activist potential when it is conceived as a positive and affective technological apparatus of hope and aspiration. The following films (mostly documentaries) from multiple localities will be discussed: The Plastic Cow (India), Three Flower/Tri-Color(China),Twelve Nights (Taiwan), The Ivory Game (Australia), and four Asian Black Bear rescue documentaries from Australia, China, and Vietnam.

以往对中西近代思想的研究，主要停留在具体人物思想的研究上，而对总体的比较研究成果不多。中西近代思想比较需要有体系性的研究纲领。该报告采用结构发生学的研究方法，粗线条地对中西近代思想的结构差异做了浏览，并对其发生途径的殊异作了探究，是中西比较思想史研究的一次富于新意的尝试。
演说者认为，中国封建社会遗留下来的思想文化体系没有为中国近代和现代戏思想的产生提供积极的要素，新文化运动的主将只得从西方去取经。在伴随资本主义经济扩张到来的西方文化传播面前，奢谈发展中国家在文化发展中坚持自己的传统，走原生型的道路，并不具有现实性。